不安
影片信息
- 状态：HD中字
- 主演：英格丽·褒曼/马蒂亚斯·维曼/雷娜特·曼哈特/
- 导演：罗伯托·罗西里尼/
- 年份：1954
- 地区：其它
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2025-02-21 01:18
- 简介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
- 6
关注公众号观影不迷路
扫一扫用手机访问
网友评分
0次评分扫一扫用手机访问
剧情简介
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
为你推荐
换一换- HDSamia Hilmi/Jef Jacobs/冈特·杜瑞特/克里斯特尔·科尼尔/英迪亚·海尔/姆本杜·乔利/克莱尔·博德森/Eva Zingaro/Adrienne D'Anna/Mathilde Legrand/Hélène Cattelain/Selma Alaoui/Janaina Halloy/艾尔莎·霍本/Lucie Laruelle/法布里齐奥·隆吉奥内/Babette Verbeek/
- 更新第14集施潮锦子/格桑/梁耶雯/
- HD张活游/紫罗莲/李清/容小意/黄曼梨/李小龙/
- HD陈奕迅/林子祥/曾志伟/林苑/文俊辉/邵音音/张国强/李丽珍/楼南光/
- HD陈锦棠/萧芳芳/
- HD张兆辉/容锦昌/徐濠萦/张国强/邓一君/
- HD曾志伟/方皓玟/陈冠希/王敏奕/恬妞/徐天佑/黄日华/
- HD周润发/赵雅芝/吕良伟/刘丹/汤镇业/林建明/廖启智/景黛音/陈立品/
- HD谢贤/嘉玲/石坚/
- HD邓萃雯/黄秋生/李子雄/
- 更新HD黄秋生/廖伟雄/张采媚/
- 预告片更新TC莱昂纳多·迪卡普里奥/西恩·潘/本尼西奥·德尔·托罗/雷吉娜·赫尔/缇雅娜·泰勒/蔡斯·英菲尼迪/伍德·哈里斯/阿拉娜·哈伊姆/D·W·莫菲特/约翰·胡热那克/莎娜·麦克黑尔/布伦达·洛伦娜·加西亚/特雷西·托德/吉姆·安德森/博格丹·舒米拉斯/约翰·德马卡斯/马特·斯波尔尼克/贾斯汀·S·麦克达维特/杰克·特劳特/罗布·戈尔/
- HD凤凰女/林家声/麦炳荣/陈好逑/谭兰卿/少新权/李奇峰/刘月峰/
- HD丁莹/朱江/王伟/骆恭/
- HD任剑辉/邓碧云/李香琴/贾醉凤/刘月峰/张生/
- HD蔡卓妍/陈小春/余文乐/周励淇/韩君婷/林雪/杜汶泽/Chapman/To/
- 高清版更新HD玛丽安娜·迪·吉拉莫/日尔曼·帕拉西奥斯/吉列尔莫·普宁/奥斯马·努涅斯/玛丽安娜·安希列里/
- HD谭旻萱/陈昊森/梁仲恒/蒋家旻/
- HD陈柏宇/谈善言/张继聪/卫诗雅/罗兰/姜皓文/李靖筠/谭小环/钟舒漫/杨思琦/庄锶敏/李日朗/高皓正/小肥/少爷占/邹文正/卢颂恩/林靖文/路芙/李绮雯/趙勁皓/叶韵怡/容嘉倩/
- HD刘家辉/惠英红/王龙威/
- HD中字刘青云/叶童/舒淇/朱永棠/
- HD刘家辉/傅声/李丽丽/惠英红/杨菁菁/王龙威/张展鹏/朱铁和/小侯/高飞/郭政鸿/林威/?刘济民/刘雪华/李擎柱/林克明/刘家荣/刘家良/马汉元/麦德罗/吴育枢/余袁稳/王清河/黄志广/黄伟辉/汪禹/杨瑞麟/尹灵光/元德/
- HD邓萃雯/郑少秋/唐文龙/
- HD吴镇宇/张智霖/佘诗曼/周秀娜/郑则仕/刘浩龙/张继聪/李灿森/卫诗雅/杨梓菁/苏宸褕/林嘉华/谭小环/
- HD斯特凡诺·阿科尔西/吉内维拉·弗兰切斯科尼/米雪拉·塞尚/托尼/芭芭拉·基耶萨/Loredana Di Martino/Samuel Christian Franzese/Emanuela Fresi/伊利尔·亚切拉里/Milena Mancini/Cristiano Piacenti/比阿特丽斯·普奇利/Veruska Rossi/
- 更新HD马吉德/
- HD成龙/梅艳芳/归亚蕾/柯俊雄/午马/董骠/
- HD余文乐/曾志伟/黄伊汶/关秀媚/林雪/陈键锋/张耀扬/廖启智/黄树棠/杜汶泽/Chapman/To/吴庆哲/
- HD秦沛/陈慧珊/马德钟/
- 更新HD盖尔米尼·格莱姆扎伊特/阿格尼·卡克泰特/吉德里乌斯·基埃拉/保利乌斯·马尔克维丘斯/